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The two singles shared up to now by Ashnymph are hard to categorise: their own description of the sound as “subconscioussion” doesn’t offer many clues. Debut Saltspreader combined a heavy mechanical drumming – guitarist Will Wiffen has at times appeared on stage sporting a shirt that features the symbol of Godflesh, icons of industrial metal – with vintage-sounding synthesisers and a guitar line that partly brings to mind the Stooges’ garage rock perennial I Wanna Be Your Dog, before dissolving into a wall of disquieting noise. The planned result, the trio have suggested, was to evoke motorway travel, “the grinding circulation of vehicles all day long over huge distances … orange lights at night”.

The subsequent track, Mr Invisible, falls between nightclub tunes and unconventional alternative rock. For one thing, the track’s rhythm, strata of mesmerizing synths, and singing that comes either trippily blurred or spellbindingly cyclical in a way that evokes the classic Underworld album era all point towards the club floor. Alternatively, its intense performance-style shifts, near-anarchic character and distortion – “achieving a crunchy texture is a long-term goal,” Wiffen has said – mark it out as clearly a group effort rather than a lone electronic artist. They've gigged around the self-made music community of south London for under a year, “anywhere that will turn the PA up loud”.

But both are exciting and different enough – from each other and other current music – to prompt questions about the band's future direction. Whatever it is, on the basis of these two singles, it’s unlikely to be boring.

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